Close to the Edge: The Birth of Hip-Hop Architecture

Close to the Edge: The Birth of Hip-Hop Architecture
© Erik Barden

CLOSE TO THE EDGE: THE BIRTH OF HIP-HOP ARCHITECTURE

sekou cooke STUDIO

ARCHITECTS
sekou cooke STUDIO

CURATION AND EXHIBITION DESIGN
Sekou Cooke

GRAPHIC DESIGN
Weshoulddoitall With Graffiti By Chino

PHOTOGRAPHY
Erik Bardin And Anthony Turner

PHOTOS
Erik Barden (12), Anthony Turner (3), sekou cooke STUDIO (1)

YEAR
2018

LOCATION
New York, NY, United States

TYPE
Cultural › Gallery

Close to the Edge: The Birth of Hip-Hop Architecture
© Erik Barden
Close to the Edge: The Birth of Hip-Hop Architecture
© Anthony Turner

Hip-Hop, the dominant cultural movement of our time, was established by the Black and Latino youth of New York’s South Bronx neighborhood in the early 1970s.

Close to the Edge: The Birth of Hip-Hop Architecture
Erik Barden© 
Close to the Edge: The Birth of Hip-Hop Architecture
© Anthony Turner

Over the last five decades, hip-hop’s primary means of expression—deejaying, emceeing, b-boying, and graffiti—have become globally recognized creative practices in their own right, and each has significantly impacted the urban built environment.

Hip-Hop Architecture is a design movement that embodies the collective creative energies native to young denizens of urban neighborhoods.

Close to the Edge: The Birth of Hip-Hop Architecture
© Erik Barden
Close to the Edge: The Birth of Hip-Hop Architecture
© Erik Barden

Its designers produce spaces, buildings, and environments that translate hip-hop’s energy and spirit into built form.

Some 25 years in the making, Hip-Hop Architecture is finally receiving widespread attention within the discipline of architecture thanks to a series of influential essays, lectures, and presentations by Craig Wilkins, Michael Ford, and this show’s curator, Sekou Cooke.

Close to the Edge: The Birth of Hip-Hop Architecture
© Erik Barden
Close to the Edge: The Birth of Hip-Hop Architecture
© Erik Barden

During this period of emergence, the movement’s ideals have primarily been tested by a loosely organized group of pioneering individuals, each using hip-hop as a lens through which to provoke and evoke architectural form.

Close to the Edge: The Birth of Hip-Hop Architecture exhibits the work of these pioneers—students, academics, and practitioners—at the center of this emerging architectural revolution.

Close to the Edge: The Birth of Hip-Hop Architecture
© Erik Barden
Close to the Edge: The Birth of Hip-Hop Architecture
© Erik Barden

The exhibition includes work by 21 participants representing five countries, with projects ranging across a variety of media and forms of expression: from experimental visualization formats and installation strategies, to façade studies, building designs, and urban development proposals.

In aggregate, these projects reveal a collective vision for alternative forms of expression and practice, and serve to formalize work created over the past 25 years into an emerging canon of Hip-Hop Architecture.

Close to the Edge: The Birth of Hip-Hop Architecture
© Erik Barden
Close to the Edge: The Birth of Hip-Hop Architecture
© Anthony Turner

The work exhibited here is identified using three primary characteristics: hip-hop identity; hip-hop process and hip-hop image.

The first includes authors who self-identify with the hip-hop community; the second invokes a method of production using specific hip-hop techniques or values; and the third creates products recognizable as part of an established hip-hop aesthetic.


Close to the Edge: The Birth of Hip-Hop Architecture
© Erik Barden
Close to the Edge: The Birth of Hip-Hop Architecture
© Erik Barden


Close to the Edge: The Birth of Hip-Hop Architecture
© sekou cooke STUDIO