DOKSAN LIBRARY
D.lim Architects
ARCHITECTS
D.lim Architects
LEAD ARCHITECTS
Yeonghwan Lim, Sunhyun Kim
ENGINEERING
Yousungeng
MANUFACTURERS
Autodesk, Colux, Eclat, Incobps, Kukje Art, Trimble Navigation
CLIENTS
Geum cheon-gu, Geum cheon-gu
DESIGN TEAM
Jisoo Yoon, Soohyun Park
PHOTOGRAPHS
Youngchae Park
AREA
2203 m²
YEAR
2020
LOCATION
Geumcheon-gu, South Korea
CATEGORY
Library, Renovation, Cultural Interiors
Doksan Library Remodeling is an example of this kind of project. Early last year, we received a call asking us to take on the project, and we visited the site with the simple intention to avoid turning them down straight away. However, that visit changed our minds.
The barebones of the Doksan Library turned out to form the perfect candidate for a remodeling project. The small library was in possession of a spacious central atrium, with sixteen skylights piercing the ceiling above.
A wide-set staircase continued from the lobby to the second floor, with neighboring forests dipping into view through the large surrounding windows. Regrettably, at the time, this description was more fitting for the potential of the project perceived by the architect, or even as an estimate of the original design intended by its original architect.
The reality on-site was completely different. Two decades following its construction, the atrium had become full of books, with the garden beyond obstructed by yet another storage space turned shipping container.
The lack of light indoors led to a pervasive sense of gloom, not to mention the palpable absence of views of the forest. A connecting bridge impeded the intended line of sight from the main entrance, while a disorderly circulation complicated fluidity between the book storage spaces and reading rooms.
The remodeling process was extremely simple. We recovered the original design concept behind the library and wiped away any of the dingier traces of aging.
First, everything that obstructed the line of sight from the main entrance to the garden was removed. The lower ceiling of the connecting bridge - an impediment to the view upon entering the library - was dismantled, and the utilities and piping were relocated elsewhere.
The once stuffy entrance was now equipped with an approximately 1 m-tall vertical void. We cleared away the bookshelves crowding the atrium and dismantled the shipping containers in the garden. At long last, a single clear space connected the main entrance to the hill backing the site, and scenes of the forest begun to emerge into direct view.
The next step was to relocate the books removed from this emptied-out space. This desperately called for a strategy that would maximize the efficiency of the space using the same surface area. Adopting a particularly languorous axis defined from the front to back of the library moving through the central atrium, ten-shelf high bookcases were installed for book storage on the inner chamber of first floor composing an extremely compact and tight fitting space.
Then, a more loosely established vertical space was inserted to connect the first and second floors, with the latter housing a relatively more relaxed space than the former.
Re-establishing the spatial hierarchy through contrasting densities allowed us to restore the original function of the small library as a convivial meeting place for locals, as well as to open up the space through a more fluid circulation.
The once dark and stuffy second floor reading rooms now featured broad window views of the forests, resuscitating a once obstructed space, as the library began to resonate with its surroundings. Two 6m-long wooden tables were placed lengthwise in the now bookcase-free atrium.
Our hope was that this small neighborhood library would have at least one open space for leisure activities. The sixteen skylights above the tables were accentuated by a series of prominent square frames, with indirect lighting installed to softly illuminate the tables in the evening. A bookcase was placed to the side of the wide staircase leading to the second floor, transforming the space as a place to read, and small personal spaces were installed alongside each of the windows on the second floor.
These spaces - both dark and bright, full and empty, compact and open, each finished in tones of dark grey or luminous white - partition this library into a composition of binary oppositions. However, just like the dichotomy of life and death, these binaries amplify the impact of each of these spaces in this small library.
