ANOHA—The Children’s World Of The Jewish Museum Berlin
ANOHA—THE CHILDREN'S WORLD OF THE JEWISH MUSEUM BERLIN
Olson Kundig
ARCHITECTS
Olson Kundig
LOCAL ARCHITECT
Architekturburo Engelbrecht
DESIGN COMPETITION TEAM
Alan Maskin, Jerome Tryon, Juan Ferreira, Stephen Yamada-Heidner, Katie Miller, Martina Bendel
PROJECT TEAM
Alan Maskin, Stephen Yamada-Heidner, Martina Bendel, Jerome Tryon
ENGINEERING
Rentschler und Riedesser Ingenieurgesellschaft mbH, EiSat GmbH, Ingenieurburo fur Elektrotechnik (IfE) Grothe GmbH
ARTISTS
Arie van Riet, Dieter Braun, Andrea Ubelacker, Gunilla Jähnichen, Tine Steen, Wolfram Spyra, Martin Böttger, Anne Metzen, Agnes Kelm, Andreas Edelblut, Annika Statkowski, Armin Benz, Beate Kelm, Conny Helm, Falk Starke, Franz Rodvalt, Gisbert Barmann, Gunnar Zimmer, Heiko Helm, Jan Schroeder, Jens Prockat, Jochen Müller, Jörg Hilbert, Maria Bahra, Matthias Garff, Myriel Kohrs, Nina Schrader, Thomas Raditschnig
CONSULTANTS
Blieske Architects Lighting Designers, Animal Construction, Transsolar KlimaEngineering, Kubix GmbH
LOCAL SITE MANAGER
Labs von Helmolt, Labs von Helmolt
CLIENTS
Jewish Museum
LOCAL EXHIBIT DESIGNER
Iglhaut + Von Grote
OWNER'S REPRESENTATIVE
IBPM GmbH - Projektsteuerung
PHOTOGRAPHS
Hufton+Crow
AREA
32300 ft²
YEAR
2020
LOCATION
Berlin, Germany
CATEGORY
Installation, Museum & Exhibition Interiors
Through the imaginative exhibits within ANOHA—The Children’s World of the Jewish Museum Berlin, the museum gives their youngest guests a sense of hope and possibility.
Located within an existing former flower market hall, the heart of ANOHA is a circular wooden ark, standing almost 23 feet (7 meters) tall with a 92-foot (28-meter) base diameter.
The curvilinear ark complements the curved ribs of the Brutalist light scoops overhead, while the shift in materiality from concrete to wood offers a softening counterpoint to the existing space.
ANOHA is populated by more than 150 sculptural animals, each created from found objects by a team of 18 Berlin artists.
This approach encourages children to consider the importance of recycling and adaptive re-use, while supporting ANOHA’s core philosophy of creativity and imagination.
The tactile nature of these sculptural objects and the sense of playful discovery as children recognize the familiar materials used to make them further serve to highlight the importance of respecting, treasuring, and conserving global resources.
Interactive exhibits placed along an intuitive visitor pathway teach children how to solve problems independently and as a group, while explorative spaces modeled after unique habitats allow children to experience the diverse perspectives of the various animals.
Sustainable strategies are embedded in architectural design as an integral part of the user experience. Extensive mechanical systems are eliminated thanks to the environmental buffer of the existing hall, significantly lowering energy loads.
Ceiling fans and operable windows in the ark allow for air exchange and natural ventilation. The hall’s curved concrete roof forms draw daylight into the interior.The ark’s windows support this passive daylighting approach, while visually connecting ANOHA with the existing structure of the hall.
“There are hundreds of flood myths from cultures all over the world, and most predate the Old Testament by thousands of years.This story of destruction and creation—of adaptation to a rapidly changing climate situation—is universal. Everyone, everywhere, can relate to those concerns, just as everyone can be inspired to be part of the solution.” –Alan Maskin, Design Principal.
